Potosí
is a capital city and a municipality of the department of Potosí in
Bolivia. It is one of the highest cities in the world at a nominal 4,090
metres (13,420 ft). For centuries, it was the location of the Spanish
colonial mint.
Potosí
lies at the foot of the Cerro de Potosí—sometimes referred to as the
Cerro Rico ("rich mountain") — a mountain popularly conceived of as
being "made of" silver ore that dominates the city. The Cerro Rico is
the reason for Potosí's historical importance, since it was the major
supply of silver for Spain during the period of the New World Spanish
Empire.
Founded
in 1545 as a mining town, it soon produced fabulous wealth, and the
population eventually exceeded 200,000 people. The city gave rise to a
Spanish expression, still in use: vale un Potosí, ("to be worth a
Potosí") meaning "to be of great value". The rich mountain, Cerro Rico,
produced an estimated 60% of all silver mined in the world during the
second half of the 16th century.
Potosí's
naturally rich deposits, along with technological advancements in
production like the Patio process, allowed silver production costs to
remain extremely low. In fact, Spanish American mines were the world's
cheapest sources of silver during this time period. Spanish America's
ability to supply a great amount of silver and China's strong demand for
this commodity resulted in a spectacular mining boom. The true champion
of this boom in the silver industry was indeed the Spanish crown. By
allowing private-sector entrepreneurs to operate mines and placing high
taxes on mining profits, the Spanish empire was able to extract the
greatest benefits. An example of a tax that was levied includes the
quinto, a 20% severance tax on gross value. From the raw materials
extracted from the mines, the Potosí mint called pieces of eight were
fashioned.
For Europeans, Peru–Bolivia was part of the
Viceroyalty of Peru and was known as Alto Perú before becoming
independent as part of Bolivia. Potosi was a mythical land of riches, it
is mentioned in Miguel de Cervantes' famous novel, Don Quixote (second
part, chap. LXXI) as a land of "extraordinary richness". One theory
holds that the mint mark of Potosí (the letters "PTSI" superimposed on
one another) is the origin of the dollar sign, although the likelier
origin of the symbol is the $-shaped scroll-wrapped columns on the
reverse of the Spanish dollar.
Labor
Native-American laborers
were conscripted and forced to work in Potosí's silver mines through the
traditional Incan mita system of contributed labor. Many of them died
due to the harsh conditions of the mine life and natural gases. At such a
high altitude, pneumonia was always a concern, and mercury poisoning
took the lives of many involved in the refining process. According to
Noble David Cook, "A key factor in understanding the impact of the
Potosi mita on the Indians is that mita labor was only one form of work
at the mines. A 1603 report stated that of 58,800 Indians working at
Potosi, 5100 were mitayos, or less than one in ten. In addition to the
mitayos there were 10,500 mingas (contractual workers) and 43,200 free
wage earners. Yet mitayos were required to do the work others refused:
predominantly the transport of the ore up the shafts to the mouth of the
mine."
From
around 1600, the death rate skyrocketed among the local Indian
communities. To compensate for the diminishing indigenous labor force,
the colonists made a request in 1608 to the Crown in Madrid to begin
allowing the importation of 1,500 to 2,000 African slaves per year. An
estimated total of 30,000 African slaves were taken to Potosí during the
colonial era. Like the native laborers, they too died in large numbers.
During colonial times an estimated eight million African and Amerindian
slaves died in the process of the silver extraction. African slaves
were also forced to work in the Casa de la Moneda (mint) as acémilas
humanas (human mules). Since mules would die after a couple of months
pushing the mills, the colonists replaced the four mules with twenty
African slaves.
Harun Farocki The Silver and the Cross 2010
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