Marshall McLuhan in his influential analysis on the impact of communication technologies upon societies, Understanding Media, includes a chapter on Radio and that includes some challenging reflections on how this medium created an "echo chamber" that the national socialists in Germany exploited ruthlessly to gain power in 1933.
The question now is; how do contemporary media impact on the psychological and perceptual matrix among the societies of Europe now?
Radio The Tribal Drum
This is the title of a chapter on Radio in Marshall Mcluhan's groundbreaking book Understanding Media, and is referenced here in exploring how the impact of different and combined media may well have created an environment where nationalism, and shared identity, begins to translate from the concept of nation and merges with the mobilization of tribalism and ethnocentrism in the socio-cultural-political context of modern Germany in the 20th century.
He is at pains to distinguish the differential impact of Radio as a medium in the anglophone world as compared with Europe.
England and America had had their "shots" against radio in the form of long exposure to literacy and industrialism. These forms involve an intense visual organization of experience. The more earthy and less visual European cultures were not immune to radio. Its tribal magic was not lost on them, and the old web of kinship began to resonate once more with the note of fascism.
In a radio speech in Munich, March 14, 1936, Hitler said "I go my way with the assurance of a somnambulist." His victims and his critics have been equally somnambulistic. They danced entranced to the tribal drum of radio that extended their central nervous system to create depth involvement for everybody. "I live right inside radio when I listen. I more easily lose myself in radio than in a book," said a voice from a radio poll. The power of radio to involve people in depth is manifested in its use during homework by youngsters and by many other people who carry transistor sets in order to provide a private world for themselves amidst crowds.
A Nazi School Map of Europe including newly acquired lebensraum
One of the many effects of television on radio has been to shift radio from an entertainment medium into a kind of nervous information system. News bulletins, time signals, traffic data, and above all weather reports now serve to enhance the native power of radio to involve people in one another. Weather is that medium that involves all people equally. It is the top item on radio, showering us with fountains of auditory space or lebensraum.
Nikita Khrushchev's 1959 visit to Iowa, USA "Now there's a real American!" Nikita Khrushchev says as he pats Iowan Christensen's belly
Had TV occurred on a large scale during Hitler's reign he would have vanished quickly. Had TV come first there would have been no Hitler at all. When Khrushchev appeared on American TV he was more acceptable than Nixon, as a clown and a lovable sort of old boy. His appearance is rendered by TV as a comic cartoon. Radio, however, is a hot medium and takes cartoon characters seriously. Mr. K. on radio would be a different proposition.
In the Kennedy-Nixon debates, those who heard them on radio received an overwhelming idea of Nixon's superiority. It was Nixon's fate to provide a sharp, high definition image and action for the cool TV medium that translated that sharp image into the impression of a phony. I suppose "phony" is something that resonates wrong, that doesn't ring true.
It might well be that F.D.R. would not have done well on TV. He had learned, at least, how to use the hot radio medium for his very cool job of fireside chatting. He first, however, had had to hot up the press media against himself in order to create the right atmosphere for his radio chats. He learned how to use the press in close relation to radio. TV would have presented him with an entirely different political and social mix of components and problems. He would possibly have enjoyed solving them, for he had the kind of playful approach necessary for tackling new and obscure relationships.
Radio affects most people intimately, person-to-person, offering a world of unspoken communication between writer-speaker and the listener. That is the immediate aspect of radio A private experience. The subliminal depths of radio are charged with the resonating echoes of tribal horns and antique drums. This is inherent in the very nature of this medium, with its power to turn the psyche and society into a single echo chamber. The resonating dimension of radio is unheeded by the script writers, with few exceptions.
The famous Orson Welles broadcast about the invasion from Mars was a simple demonstration of the all-inclusive, completely involving scope of the auditory image of radio. It was Hitler who gave radio the Orson Welles treatment for real.
That Hitler came into political existence at all is directly owing to radio and public-address systems. This is not to say that these media relayed his thoughts effectively to the German people. His thoughts were of very little consequence. Radio provided the first massive experience of electronic implosion, that reversal of the entire direction and meaning of literate Western civilization.
Highly literate societies, that have long subordinated family life to individualist stress in business and politics, have managed to absorb and to neutralize the radio implosion without revolution. Not so, those communities that have had only brief or superficial experience of literacy. For them, radio is utterly explosive.
Just prior to 1914, the Germans had become obsessed with the menace of "encirclement." Their neighbors had all developed elaborate railway systems that facilitated mobilization of manpower resources. Encirclement is a highly visual image that had great novelty for this newly industrialized nation. In the 1930s, by contrast,the German obsession was with lebensraum.
This is not a visual concern, at all. It is a claustrophobia, engendered by the radio implosion and compression of space. The German defeat had thrust them back from visual obsession into brooding upon the resonating Africa within. The tribal past has never ceased to be a reality for the German psyche.
Equals Infinity by Paul Klee
It was the ready access of the German and middle-European world to the rich nonvisual resources of auditory and tactile form that enabled them to enrich the world of music and dance and sculpture. Above all their tribal mode gave them easy access to the new nonvisual world of subatomic physics, in which long-literate and long-industrialized societies are decidedly handicapped. The rich area of preliterate vitality felt the hot impact of radio.
Tradition, in a word, is the sense of the total past as now. Its awakening is a natural result of radio impact and of electric information, in general. For the intensely literate population, however, radio engendered a profound unrealizable sense of guilt that sometimes expressed itself in the fellow-traveler attitude.
Madonna of the Ear by Salvador Dali
The Gutenberg technology had produced a new kind of visual, national entity in the sixteenth century that was gradually meshed with industrial production and expansion. Telegraph and radio neutralized nationalism but evoked archaic tribal ghosts of the most vigorous brand. This is exactly the meeting of eye and ear, of explosion and implosion, or as Joyce puts it in the Wake, "In that earopean end meets Ind." The opening of the European ear brought to an end the open society and reintroduced the Indie world of tribal man to West End woman.
Radio is provided with its cloak of invisibility, like any other medium. It comes to us ostensibly with person-to-person directness that is private and intimate, while in more urgent fact, it is really a subliminal echo chamber of magical power to touch remote and forgotten chords. All technological extensions of ourselves must be numb and subliminal, else we could not endure the leverage exerted upon us by such extension. Even more than telephone or telegraph, radio is that extension of the central nervous system that is matched only by human speech itself. Is it not worthy of our meditation that radio should be specially attuned to that primitive extension of our central nervous system, that aboriginal mass medium, the vernacular tongue? The crossing of these two most intimate and potent of human technologies could not possibly have failed to provide some extraordinary new shapes for human experience. So it proved with Hitler, the somnambulist.
But does the detribalized and literate West imagine that it has earned immunity to the tribal magic of radio as a permanent possession? Our teenagers in the 1950s began to manifest many of the tribal stigmata. The adolescent, as opposed to the teenager, can now be classified as a phenomenon of literacy. Is it not significant that the adolescent was indigenous only to those areas of England and America where literacy had invested even food with abstract visual values?
Europe never had adolescents. It had chaperones. Now, to the teenager, radio gives privacy, and at the same time it provides the tight tribal bond of the world of the common market, of song, and of resonance. The ear is hyperesthetic compared to the neutral eye. The ear is intolerant, closed, and exclusive, whereas the eye is open, neutral, and associative. Ideas of tolerance came to the West only after two or three centuries of literacy and visual Gutenberg culture. No such saturation with visual values had occurred in Germany by 1930.
To the student of media, it is difficult to explain the human indifference to social effects of these radical forces. The phonetic alphabet and the printed word that exploded the closed tribal world into the open society of fragmented functions and specialist knowledge and action have never been studied in their roles as a magical transformer. The antithetic electric power of instant information that reverses social explosion into implosion, private enterprise into organization man, and expanding empires into common markets, has obtained as little recognition as the written word.
The power of radio to retribalize mankind, its almost instant reversal of individualism into collectivism, Fascist or Marxist, has gone unnoticed. So extraordinary is this unawareness that it is what needs to be explained. The transforming power of media is easy to explain, but the ignoring of this power is not at all easy to explain. It goes without saying that the universal ignoring of the psychic action of technology bespeaks some inherent function, some essential numbing of consciousness such as occurs under stress and shock conditions. The history of radio is instructive as an indicator of the bias and blindness induced in any society by its pre-existent technology.
Radio provides a speed-up of information that also causes acceleration in other media. It certainly contracts the world to village size, and creates insatiable village tastes for gossip, rumor, and personal malice. But while radio contracts the world to village dimensions, it hasn't the effect of homogenizing the village quarters. Quite the contrary. In India, where radio is the supreme form of communication, there are more than a dozen official languages and the same number of official radio networks.
The effect of radio as a reviver of archaism and ancient memories is not limited to Hitler's Germany. Ireland, Scotland, and Wales have undergone resurgence of their ancient tongues since the coming of radio, and the Israeli present an even more extreme instance of linguistic revival. They now speak a language which has been dead in books for centuries. Radio is not only a mighty awakener of archaic memories, forces, and animosities, but a decentralizing, pluralistic force, as is really the case with all electric power and media.
Centralism of organization is based on the continuous, visual, lineal structuring that arises from phonetic literacy. At first, therefore, electric media merely followed the established patterns of literate structures. Radio was released from these centralist network pressures by TV. TV then took up the burden of centralism, from which it may be released by Telstar. With TV accepting the central network burden derived from our centralized industrial organization, radio was free to diversify, and to begin a regional and local community service that it had not known, even in the earliest days of the radio "hams."
Since TV, radio has turned to the individual needs of people at different times of the day, a fact that goes with the multiplicity of receiving sets in bedrooms, bathrooms, kitchens, cars, and now in pockets. Different programs are provided for those engaged in divers activities.
Radio, once a form of group listening that emptied churches, has reverted to private and individual uses since TV The teenager withdraws from the TV group to his private radio. This natural bias of radio to a close tie-in with diversified community groups is best manifested in the disk-jockey cults and in radio's use of the telephone in a glorified form of the old trunkline wire-tapping.
The School of Athens is a fresco in the Vatican, Rome, by the Italian Renaissance artist Raphael.
1: Zeno of Citium 2: Epicurus 3: unknown 4: Boethius or Anaximander? 5: Averroes 6: Pythagoras 7: Alcibiades or Alexander the Great? 8: Antisthenes or Xenophon? 9: unknown or Fornarina as a personification of Love (Francesco Maria della Rovere?) 10: Aeschines 11: Parmenides or Nicomachus? 12: Socrates 13: Heraclitus (Michelangelo?)
14: Plato (Leonardo da Vinci?) 15: Aristotle (Giuliano da Sangallo?) 16: Diogenes of Sinope 17: Plotinus? 18: Euclid or Archimedes (Bramante?) 19: Strabo or Zoroaster? (Baldassare Castiglione?) 20: Ptolemy R: Apelles (Raphael) 21: Protogenes (Il Sodoma or Timoteo Viti)
Plato, who had old-fashioned tribal ideas of political structure, said that the proper size of a city was indicated by the number of people who could hear the voice of a public speaker. Even the printed book, let alone radio, renders the political assumptions of Plato quite irrelevant for practical purposes. Yet radio, because of its ease of decentralized intimate relation with both private and small communities, could easily implement the Platonic political dream on a world scale.
The uniting of radio with phonograph that constitutes the average radio program yields a very special pattern quite superior in power to the combination of radio and telegraph press that yields our news and weather programs. It is curious how much more arresting are the weather reports than the news, on both radio and TV. Is not this because "weather" is now entirely an electronic form of information, whereas news retains much of the pattern of the printed word?
The Way It Is Now!
Russian TV and weather forecast for Russian Bombers in Syria and the Tweet storm that followed . . . .
No comments:
Post a Comment