To every place there belongs a story . . .
. . . and a storyteller . . .
Buddenbrooks is a 1901 novel by Thomas Mann, chronicling the decline of a wealthy north German merchant family over the course of four generations, incidentally portraying the manner of life and mores of the Hanseatic bourgeoisie in the years from 1835 to 1877. Mann drew deeply from the history of his own family, the Mann family of Lübeck, and their milieu.
The exploration of decadence in the novel reflects the influence of Schopenhauer on the young Mann. The Buddenbrooks of successive generations experience a gradual decline of their finances and family ideals, finding happiness increasingly elusive as values change and old hierarchies are challenged by Germany's rapid industrialisation. The characters who subordinate their personal happiness to the welfare of the family firm encounter reverses, as do those who do not.
In any case, the main theme of Thomas Mann's novels, the conflict between art and business, already governs this work. Also music plays a major role: Hanno Buddenbrook, like his mother, tends to be an artist and musician, and not a person of commerce like his father.
It was Mann's first novel, published in 1901 when he was twenty-six years old. With the publication of the 2nd edition in 1903, Buddenbrooks became a major literary success. The work led to a Nobel Prize in Literature for Mann in 1929; although the Nobel award generally recognises an author's body of work, the Swedish Academy's citation for Mann identified "his great novel Buddenbrooks" as the principal reason for his prize.
In any case, the main theme of Thomas Mann's novels, the conflict between art and business, already governs this work. Also music plays a major role: Hanno Buddenbrook, like his mother, tends to be an artist and musician, and not a person of commerce like his father.
W. W. Rostow (The Stages of Economic Growth, Cambridge University press, 1960, p.11) identifies what he calls the 'Buddenbrooks effect':
In Thomas Mann's novel of three generations, the first sought money; the second, born to money, sought social and civic position; the third, born to comfort and family prestige, looked to the life of music. The phrase is designed to suggest, then, the changing aspirations of generations, as they place a low value on what they take for granted and seek new forms of satisfaction.
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